Library of Brain-Sound Research

BOOKS

Berg, R. & Stork, D. (1995)  The physics of sound.  New Jersey:  Prentice Hall.

Davis, D. (2004)   Sound bodies through sound therapy.  New Jersey:  Kalco

Hall. J. (2007)  New handbook of auditory evoked resposes.  New York:  Pearson Education , Inc.

Levitin, D. (2006) This is your brain on music.  New York:  Dutton

Maman, F. (1997) The role of music in the twenty-first century.  Poland:  Tama-Do Press

Steinbach, I. (1997) Samonas sound therapy.  Kellinghusen:  Techau Verlag

Zatorre, R. & Peretz, I. (2001) The biological foundation of music.  Annals of the New York Academy of Sciences 930.

JOURNAL ARTICLES  (Copy and paste into browser)

Aiello, R. (1978)  Cerebral dominance for the perception of arpeggiated triads.  J. of Research in Music Education 26(470).  http://jrm.sagepub.com/content/26/4/470.abstract

Auzou,P. et al. (1995)  Topographic EEG activations during timbre and pitch discrimination tasks using musicl sounds.  Neuropsychologia 33(1) 25-37. http://www.sciencedirect.com/science/article/pii/002839329400100

Asbjornsen, A. (2011)  Dichotic listening performance suggests right hemisphere involvement in PTSD.  Laterality 16(4) 401-22.  http://www.ncbi.nlm.nih.gov/pubmed/21161816

Bailey, T. (2012)  Beyond DSM:  Auditory Processing in Attention and is Disorders. In press.  Applied Neuropsychology:  Child.                  http://www.tandf.co.uk/journals/hapc

Bailey, T. (2010) Auditory pathways processes.  Implications for neuropsychological assessment and diagnosis of children and adolescents.  Child Neuropsychology 16 (6) 521-548. http://www.tbaileyphd.com/resources/Auditory+Pathways+$26+$23404843.pdf

Baumann, S. (2011)  Orthogonal representation of sound dimensions in the primate midbrain.  Nature Neuroscience 14 423-425 http://www.nature.com/neuro/journal/v14/n4/full/nn.2771.html

Beament, J. (1977) The Biology of Music.  Psychology of Music 5(3) 3-18.  http://jn.physiology.org/content/91/3/1282.full.pdf+html

Belin, P. et al. (1998)  The functional anatomy of sound intensity discrimination.  J. of Neuroscience 18(16) 6388-6394.       http://www.jneurosci.org/content/18/16/6388.full.pdf

Belin, P. et al. (1998)  The functional anatomy of sound intensity discrimination.  J. of Neuroscience 18(16) 6388-6394.       http://www.jneurosci.org/content/18/16/6388.full.pdf

Bhattacharya, J. & Petsche, H. (2005)  Phase synchrony analysis of EEG during music perception reveals changes in functional connectivity due to musical expertise.  Signal Processing 85(11) 2161-2177  http://www.sciencedirect.com/science/article/pii/S0165168405002070

Bhattacharya, J. & Petsche, H. (2001) Universality in the brain while listening to music. Proceedings:  Biological Sciences 268(1484) 2423-2433.  http://www.jstor.org/discover/10.2307/3067747?uid=3739560&uid=2129&uid=2&uid=70&uid=4&uid=3739256&sid=56217749693

Breitling, D., Guenther, W., & Rondot, P. (1987) Auditory perception of music measured by brain electrical activity mapping.  Neuropsychologia 25(5) 765-774.  http://www.sciencedirect.com/science/article/pii/002839328790114X

DeCasper, A. & Prescott, P. (2009)  Lateralized processes constrain auditory reinforcement in human newborns.  Hearing Research 255(1-2) 135-141.  http://www.sciencedirect.com/science/article/pii/S0378595509001567

Enriquez, P. & Bernabeu, E. (2008) Hemispheric laterality and dissociative tendencies:  Differences in emotional processing in a dichotic listening task.  Consciousness and Cognition 17  267-275  http://www.sciencedirect.com/science/article/pii/S1053810007000591

Gaab, N., Gaser, C., Schlaug, G. (2006)  Improvement-related functional plasticity following pitch memory training.  NeuroImage 31 255-263                 http://dbm.neuro.uni-jena.de/pdf-files/Gaab-NI06.pd

Gaab, N. et al. (2004) The influence of sleep on auditory learning:  a behavioral study.  NeuroReport 1594) 731-734. http://walkerlab.berkeley.edu/reprints/Gaabetal2004_sleep_neuroreport.pdf

Golumbic, E. et al. (2007)  Representation of harmonic frequencies in auditory memory:  A mismatch negativity study.  Psychophysiology 44 671-679. http://www.ncbi.nlm.nih.gov/pubmed/17608799

Lee, D, Chen, Y & Schlaug, G (2003)  Corpus callosum:  musician and gender effects.  NeuReport 14(2) 205-209.                                    http://psy2.ucsd.edu/~mgorman/lee.pdf

Levitin, D (2009)  The neural correlates of temporal structure in music.  Music and Medicine 1(1) 9-13.                             http://mmd.sagepub.com/content/1/1/9.full.pdf+html

Lippe, S. (2009)  Electrophysiological study of auditory development.  Neuroscience 164(3) 1108-18.       http://www.sciencedirect.com/science/article/pii/S0306452209012159

Lippe, S. (2009)  Electrophysiological study of auditory development.  Neuroscience 164(3) 1108-18.      http://www.sciencedirect.com/science/article/pii/S0306452209012159

Loui, P. et al. (2010)  Enhanced Cortical Connectivity in Absolute Pitch Musicians:  A Model for Local Hyperconnectivity.  J. of Cognitive Neuroscience 10(Y) 1-12.  http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3012137/?tool=pubmed

Loui, P., Alsop, D. & Schlaug G. (2011)  Tone deafness:  A new disconnection syndrome?  J . of Neuroscience 29(3) 10215-10220    http://www.jneurosci.org/content/29/33/10215

Helton, W., Kern, R. & Walker, D. (2009).  Tympanic membrane temperature, exposure to emotional stimuli and the sustained attention to response task.  J. of Clinical and Experimental Neuropsychology 31(5) 611-616.   http://www.mendeley.com/research/tympanic-membrane-temperature-exposure-to-emotional-stimuli-and-the-sustained-attention-to-response-task/

Hutchinson, S. , Lee, L, Gaab, N., Schlaug, G. (2003) Cerebellar volume of musicians.  Dept. of Neurology, Beth Israel Deaconess medical Center and Harvard Medical School  http://www.musicianbrain.com/papers/Hutchinson_Cer_CerebralC.pdf

Mandall, J., Schulze, K. & Schlaug G. (2007)  Congenital amusia:  An auditory-motor feedback disorder?  Restorative Neurology and Neuroscience 25 323-334.   http://archlab.gmu.edu/people/rparasur/Documents/MemLangpapers/bethmann-etal07langlateral.pdf

Miranda, E. et al.  (2011)  Brain-computer music interfacing (BCMI):  From basic research to the real world of special  needs.  Music and Medicine 3(3) 134-40  http://mmd.sagepub.com/content/early/2011/02/28/194386211139929

Miranda, E. et al.  (2011)  Brain-computer music interfacing (BCMI):  From basic research to the real world of special  needs.  Music and Medicine 3(3) 134-40  http://mmd.sagepub.com/content/early/2011/02/28/194386211139929

Pastor, M. et. al. (2002)  Activation of human cerebral and cerebellar cortex by auditory stimulation at 40 Hz.  J. of Neuroscience 22(23) 10501-10506. http://www.jneurosci.org/content/22/23/10501.long

Povel, D. & Jansen, E. (2002)  Harmonic factors in the perception of tonal melodies.Music Perception 20(1) 51-85.  http://www.nici.kun.nl/~povel/Publications/MusicRelatedArticles/2002Povel&Jansen.pdf

Rickard, N., Toukhsati, S., & Field, S. (2005).  The effect of music on cognitive performance:  Insight from neurobiological and animal studies.  Behav Cogn Neurosci Rev 4 235-261                                           http://www.ncbi.nlm.nih.gov/pubmed/16585799

Schlaug, G. (2009) Listening to and making music facilitates brain recovery processes.  The Neurosciences and Music III:  Disorders and Plasticity.  N.Y. Acad. Sci. 1169:  372-373.   http://www.ncbi.nlm.nih.gov/pubmed/19673811

Schlaug, G. (2006) The brain of musicians:  A model for functional and structural adaptation.  Annals of the New York Academy of Sciences 930 281-299  http://gottfriedschlaug.org/musicianbrain/papers/Schlaug_NYAS_2001.pdf

Schlaug, G. et al. (1995)  Increased corpus callosum size in musicians.  Neuropsychologia 33(8) 1047-1055. http://www.sciencedirect.com/science/article/pii/0028393295000455

Sternheimer, J. (1983, December 12)  Physique theorique–musique des particules elementaires.  Comptes Rendus de L’Academie des Sciences:  Mechanique Physique Chimie Sciences de L’Universe et de la Terre.  297 (2) 829-834.

Talavage, T. et al. (2004)  Tonotopic Organization in Human Auditory Cortex Revealed by Progressions of Frequency Sensitivity.  J Neurophysiology 91 1282-1296  (http://jn.physiology.org/content/91/3/1282.full.pdf+html

Toyoshima, K. (2008)  Music facilitate the neurogenesis, regeneration and repair of neurons.  Medical Hypotheses 71(5) 765-9.                                         http://www.medical-hypotheses.com/article/S0306-9877%2808%2900288-0/abstract

Vines, B., Schnider, N., Schlaug, G. (2006).  Testing for causality with transcranial direct current stimulation:  Pitch memory and the left supramarginal gyrus.  NeuroReport 17(10) 1047-1050                 http://www.ncbi.nlm.nih.gov/pubmed/16791101

Wan, C., Schlaug, G. (2010).  Music making as a tool for promoting brain plasticity across the life span.  The Neuroscientist 16(5) 566-577 http://www.musicianbrain.com/papers/Wan_Schlaug_MusicMaking_BrainPlasticity.pdf

Wright, A. & Rivera, J. (2000) Music perception and octave generalization in rhesus monkeys.  J. of Experimental Psychology:  General 129(2) 291-307. http://www.brainmusic.org/MBB91%20Webpage/Evolution_Wright.pdf

Yoshida, J. et al. (2008)  Auditory reinforcement at the absolute threshold of hearing  and its SPL dependency 201-204.      http://webistem.com/acoustics2008/acoustics2008/cd1/data/fa2005-budapest/paper/195-0.pdf

Zatorre, R. (2001) Neural specializations for tonal processing.  Ann NY Acad Sci 930 193-210.                                                    http://www.ncbi.nlm.nih.gov/pubmed/11458830

Zatorre, R., Evans, A. & Meyer, E. (1994).  Neural mechanisms underlying melodic perception and memory for pitch.  The J. of Neuroscience 14(4) 1908-1919 http://www.jneurosci.org/content/14/4/1908.full.pdf